Museum of International Folk Art
Santa Fe's Favorite Museum
One of New Mexico’s most popular museums opened to the public in 1953 and has gained national and international recognition as home to the world’s largest collection of folk art. The extraordinary collection of some 150,000 artifacts from more than 150 nations forms the basis for exhibitions in four distinct wings — Bartlett, Girard, Hispanic Heritage, and Neutrogena.
Home to Alexander Girard’s international folk art collection and his innovative exhibition — Multiple Visions: A Common Bond — the exhibit displays 10 percent of Girard collection without label text (pick up a free multimedia tour on an iPod touch at the front desk), and docent tours are also available. Changing exhibitions feature ingallery art-making activities for all ages to enjoy together, as well as the Tree of Life Children’s Play Area, with toys, books, and a neighboring library of folk art books for parents and care givers.
Annual public programs include Arts Alive, Day of the Dead, Winter Celebration, and the Santa Fe International Folk Art Market.
Now on exhibit at the Museum of International Folk Art
New Mexico CulturePass
Your ticket to 15 exceptional Museums and Historic Sites. From Indian treasures to space exploration, world-class folk art to awesome dinosaurs—our museums and monuments celebrate the essence of New Mexico every day.
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Featured DCA Exhibitions
Showcases some of the Museum's most celebrated objects including a real "moon rock," rare replicas of the first man-made satellites, Sputnik and Explorer, and the Gargoyle, an early guided missile.
The Museum's first permanent exhibit takes visitors on an odyssey through 150 generations over 4,000 years of agriculture in New Mexico.
The first artwork ever to be displayed at the New Mexico Farm & Ranch Heritage Museum belonged to Robert “Shoofly” Shufelt. Fifteen years after he graciously loaned some of his lithographs for a temporary exhibit, Shufelt and his wife, Julie, donated his collection to the museum for a long-term exhibition.
During 2007 and 2008, flying at alarmingly low altitudes and slow speeds,photographer Adriel Heisey leaned out the door of his light plane, and holding his camera with both hands, re-photographed some of the Southwest’s most significant archaeological sites that Charles Lindbergh and his new bride Anne photographed in 1929.